MIT Graduate Program in Comparative Media Studies
Studying Media and Making Media
What are the implications of the tension between storage and transmission for education, for individual and national identities, for notions of what is public and what is private?
Much of the general public in fact believes that every film and television program ever made has already been digitized and is now available in Netflix’s catalog. That is hardly the case.
Textual Science, as Gregory Heyworth argues, is poised to change the established order of things. With images of recovered works, many previously unseen, this talk will chart the way ahead in theory and praxis.
Catherine E. Clark on how "the utopian rhetoric that accompanied the Vidéothèque’s creation helps illuminate and call into question the utopian promises of the much more recent revolution in digital history."
Sohail Daulatzai on The Battle of Algiers' "competing narratives, a battleground over the meaning and memory of decolonization and Western power, and a site for challenging the current imperial consensus."
