How Not to Be Seen
MIT Building 4, Room 231 Cambridge, MAHannah Rose Shell screens and discusses her film-in-progress, called Blind, about the phenomenology of camouflage.
MIT Graduate Program in Comparative Media Studies
Studying Media and Making Media
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Amsterdam and New York: Transnational Photographic Exchange in the Era of Globalization
MIT Building 32 (Stata Center), Room 141 32 Vassar Street, Cambridge, MAChristoph Lindner is Professor of Literature and Director of the Amsterdam School for Cultural Analysis (ASCA) at the University of Amsterdam in the Netherlands.
The Family of Man and the Politics of Attention in Cold War America
MIT Media Lab, Room 633 75 Amherst St., Cambridge, MAThe Family of Man became an influential prototype of the immersive, multi-media environments of the 1960s – and of our own multiply mediated social world today.
Vicki Mayer: “Where ‘Home’ Is: Film Production Economies and the Privatization of Space”
MIT Media Lab, Room 633 75 Amherst St., Cambridge, MAVicki Mayer speaks on the impacts of regional policies for film production on ordinary people’s understandings of time, space and place.
Thomas Elsaesser: “Media Archaeology as Symptom”
MIT Building 56, Room 114 Access via 21 Ames Street, Cambridge, MAIs media archaeology a (viable) disciplinary subject or a (valuable) symptom also of changes in our ideas of history, causality and contingency?
How Did the Computer Learn to See?
MIT Building 3, Room 133 33 Massachusetts Ave, Cambridge, MADid computers learn to see by modernity's most highly evolved technologies of vision, or, as Alexander Galloway argues, from sculpture?
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The CMS graduate program has its home in Comparative Media Studies/Writing
Part of MIT's School of Humanities, Arts, and Social Sciences